I have never had any illusions about making a living as a writer. I know that the people who do it are incredibly talented, incredibly persistent, and incredibly lucky, in increasing order of importance. I may develop talent; I am capable of persistence; but there’s nothing I can do about the luck.
Somewhere in the deep dark past I ran across that axiom of the salesperson, “It takes 100 noes to get a yes.” Truth or exaggeration, it’s a useful idea to keep in mind when submitting stories to magazines. Having fewer than 10 rejections currently, I have a ways to go. I also believe that my writing has a ways to go, and the way to get there is to write. Finishing – and submitting – those extra 90+ stories can only expand my storytelling ability.
Some people don’t like to submit their work. They don’t feel their work is good enough, or they’re afraid of the pain of rejection, or they just don’t think it’s worth the effort. I began submitting with a “why not?” philosophy. The worst that can happen is that I don’t get published; since I’m already not getting published, that doesn’t really seem like a bad thing. More than that though: A possibly apocryphal story involving Golden Age editor John W. Campbell relates a conversation with a young writer, who claimed his work wasn’t good enough to submit to the magazine. (Campbell edited Astounding Science Fiction in the 1940s and 50s.) Campbell then dressed down the youngster for presuming to dictate what should and shouldn’t go into his magazine. That is what editors are for, after all. The writer’s job is just to write.
A friend of mine recently lamented yet another rejection, and complained, when I put forth my “100 noes” theory, that her stories were GOOD. Of course they are, I wanted to tell her. But why on earth do you think that matters?
Quality is no guarantee of success. I reminded myself recently that while J.K. Rowling’s highly successful Harry Potter series was rejected by 12 publishers before finally being picked up on the word of an eight-year-old – and many other well-known authors have had similar experiences – there is one famous work that has never been rejected by any publisher.
Its author is E.L. James.
Write if you want to write. Submit if you want to submit. Rejection means nothing. If you get published, and that’s what you want, good for you. If you don’t – well, what of it? Most people don’t.
Write if you want to write. Otherwise, stop.