I love it when a show goes meta.
The above quote, from the new Netflix series Daredevil, could be about the painting on display, or the show itself, or all television, or all media, or all art. People like to talk about talent, or skill, or quality, but the truth is that none of it matters. Few argue that the Twilight series is well written, and yet it has its impact. Not many consider television to be high art, and yet – as fans of Sherlock or The Sopranos readily demonstrate – it makes people feel.
A name can attract attention. King, Rowling, Lucas, Mirren, Wiig. One gets a sense of what to expect from a name. Skill also helps. The gorgeously constructed filmic world of Blade Runner, the artistry of The Night Circus, the vivid color of a Van Gogh painting, all require some ability on the part of the creators. And of course the medium makes a difference: television, music, sculpture, print, all have varying levels of accessibility to different audiences.
But in the end, none of it matters.
An artist’s name may get your attention. Their skill may impress you. The piece of work itself may be of a type you typically enjoy. But if that piece doesn’t move you, doesn’t touch you in some way, then it is a failure.
Daredevil is a television show. It is associated with names – Marvel, Daredevil, D’Onofrio – that may attract some viewers. Fans and critics consider it a well-made example of the form. Released on Netflix, it is easily accessed by a wide audience.
But none of this explains – and none of this generates – the emotional response the show has received. That is something else entirely.
And all that matters about art is how it makes you feel.